I have been contemplating a fair amount on the concept of transience, especially as it has been discussed on the forum a lot recently. More particularly talking about "transient" vs "non-transient" material. I would like to, as Ra might say, offer a slightly different slant on this concept for your consideration. My intention is to hopefully offer a more wholistic view of the idea.
To do this I will mostly be using sound and music as an analogy. I will do my best to keep the language accessible and explain myself in "layman's terms".
First, some definitions of 'transient':
From Merriam-Webster
From google
Thus, it can be see that the antonym or opposite word is thus - eternal.
In between these two we have a sustaining, something which starts, stays for awhile, and then passes along. These three elements have many parallels in various religious/spiritual teachings but I am not going to lean too heavily in to those.
In truth, these three are one. A beginning, middle and end. The end is eternal, for it is where all beginnings arise. Beginnings are momentary, they occur in a flash. The middle speaks the story, it is the life of the beginning and the end. Yet, they cannot be found without each other, they are unified.
"The Three are Two, the Two are One, the One is None."
This is the life spark, it is a formula for a soul.
It is an archetype of expression which can be utilized as a model for consciousness to express itself in a 'balanced' or rather wholistic manner.
That is to say, an entity which sees and knows its beginning, middle and end, knows itself well. How then is infinity to know itself?
It is eternally beginning, sustaining and ending, these are the breath of the universe. This is the pulse that beats and gives life form.
In sound, we have a similar structure (and I believe the principle can be laid across various aspects of physics), of transient (also called attack), sustain and decay.
In short, the transient is the initial "birth" or beginning of a sound, marked by a jump in energy. Then the note or sound as it rings and resonates is the sustain. Then the process of the sound diminishing and returning to silence is the decay. These things are not separate, they are just different aspects of the waveform or sound.
Music utilizes all three of these in varying degrees, or rather music is created out of sounds which innately have these traits. More precisely it is vibration and frequency which 'has' these properties and all sounds are collections of frequencies, which are basically "rates of vibration". Music is an artful attempt to arrange these in pleasing manners.
The same is true of conversation, whether it be in text or verbal. Even the written word, every single word has a frequency or vibration, and further, I believe that there is something of the writer's 'vibration' that lingers with every word that is written by a particular entity. We see all these words and definitions, but to me, it is the music of ideas. These words are just a way of sharing our vibrations with each other, a way of sharing in thought.
Coming back around to the thought that started this thread, what is "transient" vs "non-transient" material? By these definitions, transient discusses those things which are impermanent. However, this still leaves more to be explored.
I found this very interesting quote that actually puts us right in the direction I was intending to go.
I think that's just beautiful, tbh. However, this description of "the constant [] and the transient", the Creator and the incarnate being, perfectly sits with what I'm trying to get at.
The transient and the constant are woven together, yearning for eachother. It is the transient which is "illusion-bound". Thus we have that the Creator is eternal.
When Ra distinguishes between transient and "non-transient" information, it seems to me that it tends to be the difference between the conversation moving towards the Law of One which is eternal, or about, as the word suggests "impermanent" things, which are transient. However, this discussion of the Law of One tends towards all those distortions which were towards increased awareness of the Law of One.
Yet, it is often the transient material which "heads" the non-transient. There are times when Ra shared transient material for practical and useful purposes. In the eyes of Ra, a "most severe psychic attack" is still transient material. So, I think that perhaps it is not the best measure for human discussions, personally.
I love so many things about this as a demonstrative idea. Carla was under attack, but was basically handling it well because she had a good sense of humour. Ra is basically like "y'all can tell her to be more careful" and there's like a little bit of self back-talk where "your support [] is noted and encouraged". Like Carla knows she needs to be told to take it easy.
Then Ra basically gives like, a basic first aid instruction and then encourages them to use the healing techniques Ra has been teaching them. All in all, it is actually a sort of mundane exchange, and the material is full of these kinds of things.
The thing is though, the material wouldn't be the same without these bits. It would be less human, it wouldn't have the same sense of completeness and humanity reaching out to something greater and awe-inspiring. Actually, I think it is the transient material that acts as a contrast to make the non-transient material really stick out, like yin and yang. In music, these moments are where things are defined, where you hear sounds "as themselves" instead of just being a muddle.
Coming back to the musical analogy, the transient is the 'entryway', and in the context of conversation, it's those little bits of small talk, humour, interaction and care which helps open us up to eachother so that we can discuss the deeper, eternal things. These transients act as signposts for how we are all doing and what is going on in our lives. They are moments where our most human selves actually make an appearance.
What I think can be done, is these transients can be used as a way to lean in to the eternal. All of the discussion regarding the eternal is made up of many transients, which together create a music of thought. Between all these transients are the sustained and eternal ideas, the "reading between the lines" that we all must do in order to gain a grasp or sight of the divine.
So I offer to you, think of how the transient and the eternal can be interwoven in love, for they long to be together, to work together and to exist in bonded unity. For the illusion-bound entity is seeking the mystery-clad being, and when they find each other infinity is revealed at last.
(Okay, I went a little beyond sound and music, but c'ie la vie.)
To do this I will mostly be using sound and music as an analogy. I will do my best to keep the language accessible and explain myself in "layman's terms".
First, some definitions of 'transient':
Quote:1a: passing especially quickly into and out of existence : TRANSITORY
transient beauty
b: passing through or by a place with only a brief stay or sojourn
transient visitors
2: affecting something or producing results beyond itself
From Merriam-Webster
Quote:adjective
lasting only for a short time; impermanent.
"a transient cold spell"
staying or working in a place for only a short time.
"the transient nature of the labor force in catering"
noun
1.
a person who is staying or working in a place for only a short time.
2.
a momentary variation in current, voltage, or frequency.
From google
Thus, it can be see that the antonym or opposite word is thus - eternal.
In between these two we have a sustaining, something which starts, stays for awhile, and then passes along. These three elements have many parallels in various religious/spiritual teachings but I am not going to lean too heavily in to those.
In truth, these three are one. A beginning, middle and end. The end is eternal, for it is where all beginnings arise. Beginnings are momentary, they occur in a flash. The middle speaks the story, it is the life of the beginning and the end. Yet, they cannot be found without each other, they are unified.
"The Three are Two, the Two are One, the One is None."
This is the life spark, it is a formula for a soul.
It is an archetype of expression which can be utilized as a model for consciousness to express itself in a 'balanced' or rather wholistic manner.
That is to say, an entity which sees and knows its beginning, middle and end, knows itself well. How then is infinity to know itself?
It is eternally beginning, sustaining and ending, these are the breath of the universe. This is the pulse that beats and gives life form.
In sound, we have a similar structure (and I believe the principle can be laid across various aspects of physics), of transient (also called attack), sustain and decay.
In short, the transient is the initial "birth" or beginning of a sound, marked by a jump in energy. Then the note or sound as it rings and resonates is the sustain. Then the process of the sound diminishing and returning to silence is the decay. These things are not separate, they are just different aspects of the waveform or sound.
Music utilizes all three of these in varying degrees, or rather music is created out of sounds which innately have these traits. More precisely it is vibration and frequency which 'has' these properties and all sounds are collections of frequencies, which are basically "rates of vibration". Music is an artful attempt to arrange these in pleasing manners.
The same is true of conversation, whether it be in text or verbal. Even the written word, every single word has a frequency or vibration, and further, I believe that there is something of the writer's 'vibration' that lingers with every word that is written by a particular entity. We see all these words and definitions, but to me, it is the music of ideas. These words are just a way of sharing our vibrations with each other, a way of sharing in thought.
Coming back around to the thought that started this thread, what is "transient" vs "non-transient" material? By these definitions, transient discusses those things which are impermanent. However, this still leaves more to be explored.
I found this very interesting quote that actually puts us right in the direction I was intending to go.
Quote:39.6 Questioner: Thank you. Can you tell me— can you interpret a transmission from “The Nine,” where they say “CH is a principle which is the revealing principle of knowledge and law?” Can you tell me what that principle is?
Ra: I am Ra. The principle so veiled in that statement is but the simple principle of the constant or Creator and the transient or the incarnate being and the yearning existing between the two, one for the other, in love and light amidst the distortions of free will acting upon the illusion-bound entity.
I think that's just beautiful, tbh. However, this description of "the constant [] and the transient", the Creator and the incarnate being, perfectly sits with what I'm trying to get at.
The transient and the constant are woven together, yearning for eachother. It is the transient which is "illusion-bound". Thus we have that the Creator is eternal.
When Ra distinguishes between transient and "non-transient" information, it seems to me that it tends to be the difference between the conversation moving towards the Law of One which is eternal, or about, as the word suggests "impermanent" things, which are transient. However, this discussion of the Law of One tends towards all those distortions which were towards increased awareness of the Law of One.
Yet, it is often the transient material which "heads" the non-transient. There are times when Ra shared transient material for practical and useful purposes. In the eyes of Ra, a "most severe psychic attack" is still transient material. So, I think that perhaps it is not the best measure for human discussions, personally.
Quote:57.1 Questioner: Could you first give me an indication of the instrument’s condition, please?
Ra: I am Ra. This instrument is under a most severe psychic attack. This instrument is bearing up well due to replenished vital energies and a distortion towards a sense of proportion which your peoples call a sense of humor.
This attack is potentially disruptive to this contact for a brief period of your space/time.
57.2 Questioner: Is there anything in particular that we can do in addition to what we are doing to alleviate this attack?
Ra: I am Ra. There is nothing you can do to alleviate the attack. The understanding of its mechanism might be of aid.
57.3 Questioner: Could you tell us its mechanism?
Ra: I am Ra. The Orion group cannot interfere directly but only through pre-existing distortions of mind/body/spirit complexes.
Thus in this case, this entity reached for an heavy object with one hand and this miscalculated action caused a deformation or distortion of the skeletal/muscular structure of one of this instrument’s appendages.
Your aid may be helpful in supporting this instrument in the proper care of this distortion which is equivalent to what you call your post-operative state when bones are not firmly knit. This instrument needs to be aware of care necessary to avoid such miscalculated actions and your support in this state of awareness is noted and encouraged.
57.4 Questioner: Is there anything that we can specifically do to alleviate the problem that is already existing?
Ra: I am Ra. This information is harmless, thus we share it though it is transient, lacking the principle but only offering a specific transient effect.
The wrist area should be wrapped as in the sprained configuration, as you call this distortion, and what you call a sling may be used on this distorted right side of the body complex for one diurnal period. At that time symptoms, as you call these distortions, shall be reviewed and such repeated until the distortion is alleviated.
The healing work to which each is apprentice may be used as desired.
It is to be noted that a crystal is available.
I love so many things about this as a demonstrative idea. Carla was under attack, but was basically handling it well because she had a good sense of humour. Ra is basically like "y'all can tell her to be more careful" and there's like a little bit of self back-talk where "your support [] is noted and encouraged". Like Carla knows she needs to be told to take it easy.
Then Ra basically gives like, a basic first aid instruction and then encourages them to use the healing techniques Ra has been teaching them. All in all, it is actually a sort of mundane exchange, and the material is full of these kinds of things.
The thing is though, the material wouldn't be the same without these bits. It would be less human, it wouldn't have the same sense of completeness and humanity reaching out to something greater and awe-inspiring. Actually, I think it is the transient material that acts as a contrast to make the non-transient material really stick out, like yin and yang. In music, these moments are where things are defined, where you hear sounds "as themselves" instead of just being a muddle.
Coming back to the musical analogy, the transient is the 'entryway', and in the context of conversation, it's those little bits of small talk, humour, interaction and care which helps open us up to eachother so that we can discuss the deeper, eternal things. These transients act as signposts for how we are all doing and what is going on in our lives. They are moments where our most human selves actually make an appearance.
What I think can be done, is these transients can be used as a way to lean in to the eternal. All of the discussion regarding the eternal is made up of many transients, which together create a music of thought. Between all these transients are the sustained and eternal ideas, the "reading between the lines" that we all must do in order to gain a grasp or sight of the divine.
So I offer to you, think of how the transient and the eternal can be interwoven in love, for they long to be together, to work together and to exist in bonded unity. For the illusion-bound entity is seeking the mystery-clad being, and when they find each other infinity is revealed at last.
(Okay, I went a little beyond sound and music, but c'ie la vie.)