10-16-2009, 11:17 PM
I noticed repeated queries about balancing the energy centers and wish to make some comments. It's been some years since I read the Ra Material, so I cannot quo'te (so to speak) chapter and verse; but perhaps someone with more recent familiarity can verify, qualify or correct what I have to offer. In any event, this might serve to suggest a more clarified path of inquiry...or not.
What is an Energy Blockage?
It might be compared to a muscle in spasm. It's an "area" (non-physical) where energy cannot pass along in a salubrious fashion (as it does now through my finger muscles as I type this), but the energy is stuck, causing inflammation.
Muscles, of course, can only either contract or relax. They are paired with opposing muscles which--when tone is good--can contract as the other relaxes enabling co-ordinated movement. The better the tone, the more capacity for movement, essentially.
Sometimes when I get a spasm along my spine I can feel it's exact location alongside the vertebrae and I can contract it's "opponent" (or "partner") on the opposite side of my spine. If things aren't too badly inflamed, gently contracting the non-spasming muscle can coax the spasming side to stretch out and relax. It's a great feeling when it works. Obviously, it takes some amount of time, discipline and discernment to learn to do this.
Back to energy nexes. Just as a sure sign of a back spasm is unusually attention-getting pain and a general sense of being out of joint, energy blockages tend to become obvious in a similar way. For example, that person who always sets you off, the task you can never finish, the quirky or perhaps quite threatening thing that scares the hell out of you.
The other day I had to give a 30 minute presentation at a public meeting about neighborhood wildfire issues. A few days before I found myself feeling a bit of stage fright. So, first, I had to locate the spasm or blockage. First stop was my yellow ray, social center.
To cut a long story short, by exploring the feelings and tracking them inwardly I found the following. I found fear that I might falter and be found deficient. At some point thence I glanced towards a neighbor who lives downhill from me and recalled a time I once snidely joked that I look down on my neighbors. Putting those two together, I realized there's a dynamic stagnation there between pointing out other peoples' deficiencies and fear that my own will be exposed.
At that point I could feel the matter drop right down to my first chakra (red ray department) as the issue transformed into a fear for my survival. Why, I had to ask. Answer: (internal belief) There's not enough love for me in this world to sustain me.
Okay, this is a place I've been before. So, I held that spasm, that blockage of congealed fear, with all the love I could open to. I wasn't trying to "change it," but just offer it inclusion in the form of warmth and caring.
By that point the stage fright was totally distracted. Or, rather, it was absorbed into the warmth and inclusion.
Soooooooooooo, I hope this gives some idea of what "efficient use of catalyst" might mean, as well as "balancing energies." Also, it points out a way to apply inquiry, discernment and caring. The deeper one goes and goes and goes and goes into balancing (or toning) these spasms, the more flexibility one has to respond to the stimulus in the ever-present present moment. Additionally, one could say that it's through discovering these hidden inner dramas that one also frees up one's capacity to offer the richness of her story to the oft-mentioned, but never seen, one Creatrix.
What is an Energy Blockage?
It might be compared to a muscle in spasm. It's an "area" (non-physical) where energy cannot pass along in a salubrious fashion (as it does now through my finger muscles as I type this), but the energy is stuck, causing inflammation.
Muscles, of course, can only either contract or relax. They are paired with opposing muscles which--when tone is good--can contract as the other relaxes enabling co-ordinated movement. The better the tone, the more capacity for movement, essentially.
Sometimes when I get a spasm along my spine I can feel it's exact location alongside the vertebrae and I can contract it's "opponent" (or "partner") on the opposite side of my spine. If things aren't too badly inflamed, gently contracting the non-spasming muscle can coax the spasming side to stretch out and relax. It's a great feeling when it works. Obviously, it takes some amount of time, discipline and discernment to learn to do this.
Back to energy nexes. Just as a sure sign of a back spasm is unusually attention-getting pain and a general sense of being out of joint, energy blockages tend to become obvious in a similar way. For example, that person who always sets you off, the task you can never finish, the quirky or perhaps quite threatening thing that scares the hell out of you.
The other day I had to give a 30 minute presentation at a public meeting about neighborhood wildfire issues. A few days before I found myself feeling a bit of stage fright. So, first, I had to locate the spasm or blockage. First stop was my yellow ray, social center.
To cut a long story short, by exploring the feelings and tracking them inwardly I found the following. I found fear that I might falter and be found deficient. At some point thence I glanced towards a neighbor who lives downhill from me and recalled a time I once snidely joked that I look down on my neighbors. Putting those two together, I realized there's a dynamic stagnation there between pointing out other peoples' deficiencies and fear that my own will be exposed.
At that point I could feel the matter drop right down to my first chakra (red ray department) as the issue transformed into a fear for my survival. Why, I had to ask. Answer: (internal belief) There's not enough love for me in this world to sustain me.
Okay, this is a place I've been before. So, I held that spasm, that blockage of congealed fear, with all the love I could open to. I wasn't trying to "change it," but just offer it inclusion in the form of warmth and caring.
By that point the stage fright was totally distracted. Or, rather, it was absorbed into the warmth and inclusion.
Soooooooooooo, I hope this gives some idea of what "efficient use of catalyst" might mean, as well as "balancing energies." Also, it points out a way to apply inquiry, discernment and caring. The deeper one goes and goes and goes and goes into balancing (or toning) these spasms, the more flexibility one has to respond to the stimulus in the ever-present present moment. Additionally, one could say that it's through discovering these hidden inner dramas that one also frees up one's capacity to offer the richness of her story to the oft-mentioned, but never seen, one Creatrix.