10-04-2011, 07:12 PM
(This post was last modified: 07-21-2015, 04:18 PM by JustLikeYou.)
The Matrix of the Body: Homeostasis
We are now entering deeper waters. As you all know, the remaining archetypes were not covered in very great detail by the Law of One group, so there is much more which bears saying and much less in the Ra Material upon which to reliably lean. Any commentary on this archetype is welcome, as it is a very complex one, whose symbols have not all revealed themselves to me.
This card, being the first of the Body Cycle, is an appropriate opportunity to consider the essence of a bodily experience. The Mind Cycle focused primarily on a few major aspects of a mental experience: the creative projection (the orb), the veil between the conscious and unconscious, the mind's intimate relationship with the physical illusion (the realm of the body), and the love affair between the conscious and unconscious mind. In the Mind Cycle, we have a description of the nature of the mind, as well as a description of the mind's relationship to itself. This description revolves primarily around knowing and projecting. Because Ra says in 81.14 that "all the archetypes of the body [must be seen] to be a mirror image of the thrust of the activity of the mind," we know that the body is not only a creature of the mind, it is also the mirror image of the mind. With this fact firmly in hand, it is evident that the description of the nature and self-relation of the body involves perception and manifestion. The Mind Cycle pertains to the ideas we have about who we are and what our world is, our doubts and beliefs, the concepts we form about our experience. The Body Cycle, on the other hand, pertains to the habits we create in our interaction with the manifest reality, our day-to-day action choices, their influences and effects.
The matrix of the space within which concepts are formed is a blank and unmoving space. The stillness of mind is the perfect backdrop for clear perception of a new concept. Conversely, the matrix of the space within which concepts are tested and experienced is a bustling space bursting with rhythmically moving content. Endless yet stable activity is the perfect backdrop to test a concept by redirecting the flow of motion. Imagine putting your hand in a waterfall to create patterns in the falling water. This is how the matrix of the body receives its potentiator.
I call this card Homeostasis because this is the state in which we find the physical universe (our bodies included) before any conscious actions are performed through a bodily vehicle. The concept of homeostasis is most readily visible in the scales that the female (who, remember, always represents an unconscious aspect of your mind/body/spirit complex) holds in perfect balance. Her sword is drawn ready to strike at anything that might tip those scales, which implies that the manifest reality always moves in the direction of greatest balance. Thus, if the scales should for some reason tip one way, it is only a matter of time before they tip the other way. This is the stability of the matrix of the body, further depicted by the cushion upon which her feet rest (compare this cushion to the crescent beneath the Empress' feet). The three symbols of the sword, the scales and the cushion represent three of the foundational principles of the physical universe as we experience it in manifestation: (1) the world is inertiatic, meaning that it is in perpetual but stable motion, (2) the world is karmic, meaning that every action has an equal and opposite reaction, (3) the world is homeostatic, meaning that it returns to balance after it is acted upon.
Perpetual but stable motion underlies the concept of inertia, which states that everything moves in a straight line unless acted upon by another object. The concept of motion is expressed in all of the creatures which surround the female figure. The lion and sphinx are both walking (in lock-step, mind you) and the turtle is flying. Yet despite the perpetual motion of the matrix of the body, there is stability: for the female figure rests her feet upon a sturdy cushion and sits upon a sturdy throne. The stability of this inertiatic realm is affected by the balanced scales which she holds: for every action, there is an equal and opposite reaction. When the scale is tipped, the sword will strike. Furthermore, the figure is blindfolded, which suggests that she does not care who tips the scales or how, she only cares that balance is achieved and she will do what she must to regain that balance.
The scale is in the left hand and the sword is in the right hand, indicating that this archetype, when acting as a function, has balance/imbalance as an input and reward/retribution as an output.
The curvature of the sword may suggest that the STS path typically incurs a much more wrathful relationship with the matrix of the body than the STO path, suggesting that STS entities tend to tip the scales more vigorously and therefore pay for it a bit more severely.
The serpent upon her brow indicates that she knows exactly how to maintain herself without any help from her conscious counterpart. Consider that your heart knows how to beat without you willing it to beat, you know how to sleep and dream without learning how to do it. This is the blind wisdom of Homeostasis.
The Lion and Sphinx walk in lock-step, though in the second picture on this webpage, they walk in reverse-lock step. Either way, there is clearly a kind of unison between the lion and the sphynx. The meaning of these figures is not easily determined from the notion of Homeostasis alone, but we are fortunate that these creatures will revisit us in Archetypes 10 and 11. Nevertheless, Ra describes the sphynx as a "time-full" symbol, a concept underscored by its very composition: it is part man, part bird, part bull, part lion. These four parts each represent an element and a season of the year: spring, summer, autumn, winter. The sphynx, then, is a kind of keeper of time cycles. The lion, on the other hand, is full of energy and power, but also aggression and destruction. The fact that the sphynx stands upon the lion's back suggests that the sphynx somehow directs the lion, which is reminiscent of the creator-creation mirror relationship between the mind (in the sphynx's place) and the body (in the lion's place). Following this line of reasoning, the winged turtle can be seen as representative of the spirit as it slowly makes its flight in the repetetive and lengthy annals of unpotentiated space/time. Having drawn relationships between the creatures and the mind, body and spirit complexes, I will immediately take them back by reminding the reader that there is surely more meaning to these creatures than this -- as we will see in Archetypes 10 and 11.
The winged turtle troubles me. It is probably one of two symbols on this card on which I cannot get more than the most ephemeral of grasps. In Brandy Rox's Archetype website, she interprets all of the creatures on this card as signifying one of the seven energy centers. The alignment is thus:
Red Ray - lion
Orange Ray - sphynx
Yellow Ray - seated female figure
Green Ray - messenger
Blue Ray - sword (possibly including the scale)
Indigo Ray - winged turtle
Violet Ray - fan
While this interpretation does not resonate with me, it is difficult to find any alternate interpretation for the fan above her head.
My best guess about the three moving creatures is that they ought to symbolize that in the bodily matrix which moves: the lion can be seen as the vigorous material motions which constantly swing through the physical universe (the moving planets, the rolling waves, the bursting volcano, the blowing wind, etc.); the sphynx can be seen as the cyclic pattern or laws of nature which govern these brute material events; the winged turtle can be seen as the ever-changing karmic bonds which and which weigh down your spirit, keeping it within the physical illusion, slowing its flight.
The messenger behind the female figure is bears the markings of Maat, the Egyptian deity of truth. Maat is a female deity with wings upon her arms and a feather upon her head. The difference between this messenger and the deity herself is that the messenger wears not one feather, but two. Thus, this messenger from Maat is a being which brings the message of unity disguised as a message of polarity. The wings are extended and protect the female figure from the lion and the sphynx which suggests that incarnation within this physical reality is more frightening than dangerous, for there are divine principles which secretly guard us for their own higher purposes.
I have no clue what the fan means, apart from Brandy's suggestion of the violet ray energy center.
We are now entering deeper waters. As you all know, the remaining archetypes were not covered in very great detail by the Law of One group, so there is much more which bears saying and much less in the Ra Material upon which to reliably lean. Any commentary on this archetype is welcome, as it is a very complex one, whose symbols have not all revealed themselves to me.
This card, being the first of the Body Cycle, is an appropriate opportunity to consider the essence of a bodily experience. The Mind Cycle focused primarily on a few major aspects of a mental experience: the creative projection (the orb), the veil between the conscious and unconscious, the mind's intimate relationship with the physical illusion (the realm of the body), and the love affair between the conscious and unconscious mind. In the Mind Cycle, we have a description of the nature of the mind, as well as a description of the mind's relationship to itself. This description revolves primarily around knowing and projecting. Because Ra says in 81.14 that "all the archetypes of the body [must be seen] to be a mirror image of the thrust of the activity of the mind," we know that the body is not only a creature of the mind, it is also the mirror image of the mind. With this fact firmly in hand, it is evident that the description of the nature and self-relation of the body involves perception and manifestion. The Mind Cycle pertains to the ideas we have about who we are and what our world is, our doubts and beliefs, the concepts we form about our experience. The Body Cycle, on the other hand, pertains to the habits we create in our interaction with the manifest reality, our day-to-day action choices, their influences and effects.
The matrix of the space within which concepts are formed is a blank and unmoving space. The stillness of mind is the perfect backdrop for clear perception of a new concept. Conversely, the matrix of the space within which concepts are tested and experienced is a bustling space bursting with rhythmically moving content. Endless yet stable activity is the perfect backdrop to test a concept by redirecting the flow of motion. Imagine putting your hand in a waterfall to create patterns in the falling water. This is how the matrix of the body receives its potentiator.
I call this card Homeostasis because this is the state in which we find the physical universe (our bodies included) before any conscious actions are performed through a bodily vehicle. The concept of homeostasis is most readily visible in the scales that the female (who, remember, always represents an unconscious aspect of your mind/body/spirit complex) holds in perfect balance. Her sword is drawn ready to strike at anything that might tip those scales, which implies that the manifest reality always moves in the direction of greatest balance. Thus, if the scales should for some reason tip one way, it is only a matter of time before they tip the other way. This is the stability of the matrix of the body, further depicted by the cushion upon which her feet rest (compare this cushion to the crescent beneath the Empress' feet). The three symbols of the sword, the scales and the cushion represent three of the foundational principles of the physical universe as we experience it in manifestation: (1) the world is inertiatic, meaning that it is in perpetual but stable motion, (2) the world is karmic, meaning that every action has an equal and opposite reaction, (3) the world is homeostatic, meaning that it returns to balance after it is acted upon.
Perpetual but stable motion underlies the concept of inertia, which states that everything moves in a straight line unless acted upon by another object. The concept of motion is expressed in all of the creatures which surround the female figure. The lion and sphinx are both walking (in lock-step, mind you) and the turtle is flying. Yet despite the perpetual motion of the matrix of the body, there is stability: for the female figure rests her feet upon a sturdy cushion and sits upon a sturdy throne. The stability of this inertiatic realm is affected by the balanced scales which she holds: for every action, there is an equal and opposite reaction. When the scale is tipped, the sword will strike. Furthermore, the figure is blindfolded, which suggests that she does not care who tips the scales or how, she only cares that balance is achieved and she will do what she must to regain that balance.
The scale is in the left hand and the sword is in the right hand, indicating that this archetype, when acting as a function, has balance/imbalance as an input and reward/retribution as an output.
The curvature of the sword may suggest that the STS path typically incurs a much more wrathful relationship with the matrix of the body than the STO path, suggesting that STS entities tend to tip the scales more vigorously and therefore pay for it a bit more severely.
The serpent upon her brow indicates that she knows exactly how to maintain herself without any help from her conscious counterpart. Consider that your heart knows how to beat without you willing it to beat, you know how to sleep and dream without learning how to do it. This is the blind wisdom of Homeostasis.
The Lion and Sphinx walk in lock-step, though in the second picture on this webpage, they walk in reverse-lock step. Either way, there is clearly a kind of unison between the lion and the sphynx. The meaning of these figures is not easily determined from the notion of Homeostasis alone, but we are fortunate that these creatures will revisit us in Archetypes 10 and 11. Nevertheless, Ra describes the sphynx as a "time-full" symbol, a concept underscored by its very composition: it is part man, part bird, part bull, part lion. These four parts each represent an element and a season of the year: spring, summer, autumn, winter. The sphynx, then, is a kind of keeper of time cycles. The lion, on the other hand, is full of energy and power, but also aggression and destruction. The fact that the sphynx stands upon the lion's back suggests that the sphynx somehow directs the lion, which is reminiscent of the creator-creation mirror relationship between the mind (in the sphynx's place) and the body (in the lion's place). Following this line of reasoning, the winged turtle can be seen as representative of the spirit as it slowly makes its flight in the repetetive and lengthy annals of unpotentiated space/time. Having drawn relationships between the creatures and the mind, body and spirit complexes, I will immediately take them back by reminding the reader that there is surely more meaning to these creatures than this -- as we will see in Archetypes 10 and 11.
The winged turtle troubles me. It is probably one of two symbols on this card on which I cannot get more than the most ephemeral of grasps. In Brandy Rox's Archetype website, she interprets all of the creatures on this card as signifying one of the seven energy centers. The alignment is thus:
Red Ray - lion
Orange Ray - sphynx
Yellow Ray - seated female figure
Green Ray - messenger
Blue Ray - sword (possibly including the scale)
Indigo Ray - winged turtle
Violet Ray - fan
While this interpretation does not resonate with me, it is difficult to find any alternate interpretation for the fan above her head.
My best guess about the three moving creatures is that they ought to symbolize that in the bodily matrix which moves: the lion can be seen as the vigorous material motions which constantly swing through the physical universe (the moving planets, the rolling waves, the bursting volcano, the blowing wind, etc.); the sphynx can be seen as the cyclic pattern or laws of nature which govern these brute material events; the winged turtle can be seen as the ever-changing karmic bonds which and which weigh down your spirit, keeping it within the physical illusion, slowing its flight.
The messenger behind the female figure is bears the markings of Maat, the Egyptian deity of truth. Maat is a female deity with wings upon her arms and a feather upon her head. The difference between this messenger and the deity herself is that the messenger wears not one feather, but two. Thus, this messenger from Maat is a being which brings the message of unity disguised as a message of polarity. The wings are extended and protect the female figure from the lion and the sphynx which suggests that incarnation within this physical reality is more frightening than dangerous, for there are divine principles which secretly guard us for their own higher purposes.
I have no clue what the fan means, apart from Brandy's suggestion of the violet ray energy center.