peregrine thank you for clarifying the setting its all new to me, especially how intense it is I can only imagine particulary for someone like Carla who loved to sing
"a rehearsal in Carla's church for the Mass in B Minor by J. S. Bach. Carla was singing in the choir. The Sanctus section is a choral setting and has long and vigorous vocal lines and is exhausting to sing. The Benedictus, which follows, is sung by a mezzo-soprano soloist"
I love the humour too
"attracted the attention of a high powered Orion dude ", ok so it was especially issue with "Carla was resting during that section.." "because she "took her eye off the ball."
Stranger so it was combination of above and then singing that Hosanna part that magnified that opening, so taking upon magical working when some physical distortion was the opening for the negative friend. Reminds me of another Ra quote stating one key strategy for pyschic greetings is to block indigo while over activating the green, which in maths formula blocked indigo + overactivated green = Distortion to Martyrdom.
"a rehearsal in Carla's church for the Mass in B Minor by J. S. Bach. Carla was singing in the choir. The Sanctus section is a choral setting and has long and vigorous vocal lines and is exhausting to sing. The Benedictus, which follows, is sung by a mezzo-soprano soloist"
I love the humour too
"attracted the attention of a high powered Orion dude ", ok so it was especially issue with "Carla was resting during that section.." "because she "took her eye off the ball." Stranger so it was combination of above and then singing that Hosanna part that magnified that opening, so taking upon magical working when some physical distortion was the opening for the negative friend. Reminds me of another Ra quote stating one key strategy for pyschic greetings is to block indigo while over activating the green, which in maths formula blocked indigo + overactivated green = Distortion to Martyrdom.
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