Psychic Greeting - Ra 75.14:

[Sacred Fool]

First of all, the setting for this account is a rehearsal in Carla's church for the Mass in B Minor by J. S. Bach. Carla was singing in the choir. The Sanctus section is a choral setting and has long and vigorous vocal lines and is exhausting to sing. The Benedictus, which follows, is sung by a mezzo-soprano soloist, so Carla was resting during that section and was, thus, more vulnerable to attack because she "took her eye off the ball."

I believe Ra is saying that the "historical" account of crowds yelling "Hosanna" is hagiography, not fact, and therefore more distorted than much of the rest of the Mass. Finally, the fact that she had attracted the attention of a high powered Orion dude was both unusual and unfortunate. Ra implies that Carla was identifying deeply with the Mass (through the music) and was unaware that, by doing the previous so-called magical work with Ra, she was stepping out into a new arena where she had to be careful about what all she was doing in real life. That is, work in spirit begins to go on unconsciously and one needs to be alert to what kind of situations one may be slipping into unawares. More "missteps in the night."