07-31-2010, 03:28 PM
(07-31-2010, 12:15 PM)Questioner Wrote: As far as the stage metaphor goes, s/t would be like having the script in hand. With a quick flip, any portion of the scenario may be quickly understood in its abstract nature. t/s would be the performance of the entire production. Although the start and end of the play may be 1/4" apart in the script, all pages held in the hand at once, they could be hours apart on stage. I would prefer to believe that the script is improv notes to be filled in by the creativity of the players, rather than predefined lines or predestined roles.
Hi Questioner,
I'm enjoying the discussion as well, and thank you for your feedback.
File this under "For what it's worth": To me, the stage metaphor works best for an impromptu play, thus allowing our s/t performance to require free will decisions of the actors. The more in touch we are with our higher self and greater calling, the better we understand the basic story of the play and the roles of the other characters. Still, what we do in each act is a function of our real time decisions in the moment, and then influence how the stage will be set for future scenes (perhaps repeating them over and over until we get it right).
I think of the t/s actions before incarnation as drafting the overall script and characters (along with multiple plot lines, characters, etc depending upon how things go), then setting up the stage and the props for each scene, as it were. The t/s actions after incarnation involve watching a video of each scene then discussing why each decision was made, the impact it had on us and those around us, and the additional lessons that need to be learned based upon this.
Love and Light,
3D Sunset