02-15-2013, 01:48 PM
(02-15-2013, 01:15 PM)MarcRammer Wrote: I understand Ra's perspective on the issue and in the manner of the LOO I see it was just a fate he chose for himself. I wish to see in a gnostic/esoteric way what the meaning of crucifixion was. I'm pretty sure there is some meaning behind the cross itself, and that's what I wish to understand.
Just a guess...
94.26 Questioner: I’ll have to work on that.
Then I am guessing that the crossed legs of the entity in Card Four have a meaning similar to the crux ansata. Is this correct?
Ra: I am Ra. This is correct. The cross formed by the living limbs of the image signifies that which is the nature of mind/body/spirit complexes in manifestation within your illusion. There is no experience which is not purchased by effort of some kind, no act of service to self or others which does not bear a price, to the entity manifesting, commensurate with its purity. All things in manifestation may be seen in one way or another to be offering themselves in order that transformations may take place upon the level appropriate to the action.
95.27 Questioner: The possibility of the legs of the entity of Card Four being at right angles was linked with the tesseract, mentioned in a much earlier session by Ra, as the direction of transformation from space/time into time/space and I was thinking that possibly it was also linked with the crux ansata. Am I in any way correct in this observation?
Ra: I am Ra. This shall be the last query of this working, as transferred energy wanes. The observation of the right angles and their transformational meaning is most perceptive, O student. Each of the images leading to the Transformations of Mind, Body, and Spirit and ultimately to the great transformative Choice have the increasing intensity of increasing articulation of concept; that is to say, each image in which you find this angle may increasingly be seen to be a more and more stridently calling voice of opportunity to use each resource, be it experience as you now observe or further images, for the grand work of the adept which builds towards transformation using the spirit’s bountiful shuttle to intelligent infinity. Please ask any brief queries at this space/time.
103.11 Questioner: Would Ra comment on that?
Ra: I am Ra. The use of the tau and the architect’s square is indeed intended to suggest the proximity of the space/time of the Great Way’s environment to time/space. We find this observation most perceptive.
103.14 Questioner: The bent left leg of the sphinxes indicates a transformation that occurs on the left that doesn’t occur on the right, possibly an inability in that position to move. Does this have any merit?
Ra: I am Ra. The observation has merit in that it may serve as the obverse of the connotation intended. The position is intended to show two items, one of which is the dual possibilities of the time-full characters there drawn.
The resting is possible in time, as is the progress. If a mixture is attempted, the upright, moving leg will be greatly hampered by the leg that is bent. The other meaning has to do with the same right angle, with its architectural squareness, as the device upon the breast of the actor.
Time/space is close in this concept complex, brought close due to the veiling process and its efficaciousness in producing actors who wish to use the resources of the mind in order to evolve.
More...
"...the cross which is of perfect sacrifice..."
"...evocation of the great cross of life..."
"...the circle indicating the magic of the spirit, the cross indicating that nature of manifestation which may only be valued by the losing."