09-27-2011, 03:00 PM
(This post was last modified: 08-17-2012, 06:43 PM by JustLikeYou.)
[font=Verdana]The Potentiator of the Mind: The High Priestess[/font]
[font=Verdana]Brandy Rox, author of archetypalmind.wordpress.com, describes the High Priestess as Higher Mind, rather than merely unconscious mind. This indicates that the High Priestess holds within itself all that had to be hidden from the Magician in order for a veiled experience to occur. As such, her content exceeds the current incarnation. [/font]
[font=Verdana]The High Priestess has always been something of a conundrum to me because she is the only card that is not easy to pinpoint in my daily life. This is precisely because she is a side of myself that I have never seen and will never see except in the clothing of the Empress. My view of the High Priestess has always been as the Magician seeking knowledge from the Beyond. It is not accidental that the book that is open in the High Priestess’ lap is in her reproductive region: to seek knowledge from the Beyond is a love affair of the self with the self. The Magician, for example, must call the High Priestess forth with focus and clarity projected from his magical orb. She receives this call for knowledge and responds with a promise to reveal herself. This sacred union of the conscious and unconscious minds births experiences in the physical world and each experience thus potentiated offers an opportunity for the conscious mind to know the unconscious mind.[/font]
[font=Verdana]Consideration of two symbols within the Mind Cycle yields some interesting ideas: The High Priestess has a crux ansata, whereas the figure in the Great Way card, (The Chariot), wears a T-Square and two right angles meeting each other. Let’s look at Ra’s words first:[/font]
[font=Verdana]92.24 Ra: I am Ra. There are mathematical ratios within this image which may yield informative insights to one fond of riddles. We shall not untangle the riddle. We may indicate that the crux ansata is a part of the concept complexes of the archetypical mind, the circle indicating the magic of the spirit, the cross indicating that nature of manifestation which may only be valued by the losing. Thus the crux ansata is intended to be seen as an image of the eternal in and through manifestation and beyond manifestation through the sacrifice and the transformation of that which is manifest.[/font]
[font=Verdana]92.30 Questioner: Would this crux ansata then be indicating the sign of life as the spirit enlivening matter?[/font]
[font=Verdana]Ra: I am Ra. This is quite correct. Moreover, it illuminates a concept which is a portion of the archetype which has to do with the continuation of the consciousness which is being potentiated, in incarnation, beyond incarnation.[/font]
[font=Verdana]This description of the crux ansata in relation to the High Priestess connects the symbol on her dress to the metaphysical realm, or time-space. We can project, then, that the entity which is you -- your sub-logos (to which the Significator of your mind is sub, making it a sub-sub-logos) -- is the great mover which stands behind the High Priestess in her decisions to release parts of herself into your conscious mind. It is this symbol which reinforces for me notion of the High Priestess as the Higher Mind. Much lies within the unconscious mind, but the High Priestess knows that it is all divine and that you will never consciously grasp just how divine she is. The connection that this part of your has to your sub-logos is a very close one: you can imagine your Higher Self working through your unconscious mind as depicted by the High Priestess in order to reveal to you that which you most want to see. Think of a time when you had a conversation with a perfect stranger and that person said exactly what you needed to hear exactly when you needed to hear it. You unconscious mind, in cahoots with your Higher Self, directed you to that person so you could hear what the High Priestess wanted you to hear.[/font]
[font=Verdana]Let us also consider Ra’s commentary concerning the symbol on the chest of the figure in the Chariot.[/font]
[font=Verdana]103.10 Questioner: In that case I have a few questions on Card Number Seven in order to finish off our first run-through of the archetypes of the mind. There is a T with two right angles above it on the chest of the entity on Card Seven. We have guessed that the lower T has to do with the possibility of choosing either path in the transformation and the upper two angles represent the great way of the left and the right-hand paths in the mental transformation that makes the change from space/time into time/space, you might say. This is difficult to express. Is anything correct in this?[/font]
[font=Verdana]Ra: I am Ra. Yes.[/font]
[font=Verdana]103.11 Questioner: Would Ra comment on that?[/font]
[font=Verdana]Ra: I am Ra. The use of the tau* and the architect’s square is indeed intended to suggest the proximity of the space/time of the Great Way’s environment to time/space. We find this observation most perceptive.
The entire mood, shall we say, of the Great Way is indeed dependent upon its notable difference from the Significator. The Significator is the significant self, to a great extent but not entirely influenced by the lowering of the veil.
The Great Way of the Mind, the Body, or the Spirit draws the environment which has been the new architecture caused by the veiling process and, thusly, dipped in the great, limitless current of time/space.[/font]
[font=Verdana]Ra directly points out the significance of time/space to the activities of the mind, and the Great Way, as a card which depicts the whole Cycle, has within itself both the conscious and unconscious. I have therefore projected that the interplay of the conscious and unconscious is most useful (and hence most balanced, as the T-Square and crux ansata also indicate via the symbol of the crossbar) at the interface between space/time and time/space. It also suggests that the connection between the conscious mind and the unconscious is an act of bringing the conscious mind out of space/time and into time/space more frequently and bringing the unconscious mind out of time/space and into space/time more frequently.[/font]
[font=Verdana]In short, the symbol on the chest of the figure in the Great Way card suggests to us that the Magician who finds himself occupied with space/time must turn his focus more and more to time/space; whereas the High Priestess who is all too often lost in the hidden dimensions of time/space (the shady realm of dreams) must be coaxed out of her hiding so that she may be seen more and more in space/time.[/font]
[font=Verdana]It also seems important to mention that her pillars depict the presence within the unconscious mind of pockets of both negativity and positivity – all of which the Magician must be open to viewing.[/font]
[font=Verdana]Brandy Rox, author of archetypalmind.wordpress.com, describes the High Priestess as Higher Mind, rather than merely unconscious mind. This indicates that the High Priestess holds within itself all that had to be hidden from the Magician in order for a veiled experience to occur. As such, her content exceeds the current incarnation. [/font]
[font=Verdana]The High Priestess has always been something of a conundrum to me because she is the only card that is not easy to pinpoint in my daily life. This is precisely because she is a side of myself that I have never seen and will never see except in the clothing of the Empress. My view of the High Priestess has always been as the Magician seeking knowledge from the Beyond. It is not accidental that the book that is open in the High Priestess’ lap is in her reproductive region: to seek knowledge from the Beyond is a love affair of the self with the self. The Magician, for example, must call the High Priestess forth with focus and clarity projected from his magical orb. She receives this call for knowledge and responds with a promise to reveal herself. This sacred union of the conscious and unconscious minds births experiences in the physical world and each experience thus potentiated offers an opportunity for the conscious mind to know the unconscious mind.[/font]
[font=Verdana]Consideration of two symbols within the Mind Cycle yields some interesting ideas: The High Priestess has a crux ansata, whereas the figure in the Great Way card, (The Chariot), wears a T-Square and two right angles meeting each other. Let’s look at Ra’s words first:[/font]
[font=Verdana]92.24 Ra: I am Ra. There are mathematical ratios within this image which may yield informative insights to one fond of riddles. We shall not untangle the riddle. We may indicate that the crux ansata is a part of the concept complexes of the archetypical mind, the circle indicating the magic of the spirit, the cross indicating that nature of manifestation which may only be valued by the losing. Thus the crux ansata is intended to be seen as an image of the eternal in and through manifestation and beyond manifestation through the sacrifice and the transformation of that which is manifest.[/font]
[font=Verdana]92.30 Questioner: Would this crux ansata then be indicating the sign of life as the spirit enlivening matter?[/font]
[font=Verdana]Ra: I am Ra. This is quite correct. Moreover, it illuminates a concept which is a portion of the archetype which has to do with the continuation of the consciousness which is being potentiated, in incarnation, beyond incarnation.[/font]
[font=Verdana]This description of the crux ansata in relation to the High Priestess connects the symbol on her dress to the metaphysical realm, or time-space. We can project, then, that the entity which is you -- your sub-logos (to which the Significator of your mind is sub, making it a sub-sub-logos) -- is the great mover which stands behind the High Priestess in her decisions to release parts of herself into your conscious mind. It is this symbol which reinforces for me notion of the High Priestess as the Higher Mind. Much lies within the unconscious mind, but the High Priestess knows that it is all divine and that you will never consciously grasp just how divine she is. The connection that this part of your has to your sub-logos is a very close one: you can imagine your Higher Self working through your unconscious mind as depicted by the High Priestess in order to reveal to you that which you most want to see. Think of a time when you had a conversation with a perfect stranger and that person said exactly what you needed to hear exactly when you needed to hear it. You unconscious mind, in cahoots with your Higher Self, directed you to that person so you could hear what the High Priestess wanted you to hear.[/font]
[font=Verdana]Let us also consider Ra’s commentary concerning the symbol on the chest of the figure in the Chariot.[/font]
[font=Verdana]103.10 Questioner: In that case I have a few questions on Card Number Seven in order to finish off our first run-through of the archetypes of the mind. There is a T with two right angles above it on the chest of the entity on Card Seven. We have guessed that the lower T has to do with the possibility of choosing either path in the transformation and the upper two angles represent the great way of the left and the right-hand paths in the mental transformation that makes the change from space/time into time/space, you might say. This is difficult to express. Is anything correct in this?[/font]
[font=Verdana]Ra: I am Ra. Yes.[/font]
[font=Verdana]103.11 Questioner: Would Ra comment on that?[/font]
[font=Verdana]Ra: I am Ra. The use of the tau* and the architect’s square is indeed intended to suggest the proximity of the space/time of the Great Way’s environment to time/space. We find this observation most perceptive.
The entire mood, shall we say, of the Great Way is indeed dependent upon its notable difference from the Significator. The Significator is the significant self, to a great extent but not entirely influenced by the lowering of the veil.
The Great Way of the Mind, the Body, or the Spirit draws the environment which has been the new architecture caused by the veiling process and, thusly, dipped in the great, limitless current of time/space.[/font]
[font=Verdana]Ra directly points out the significance of time/space to the activities of the mind, and the Great Way, as a card which depicts the whole Cycle, has within itself both the conscious and unconscious. I have therefore projected that the interplay of the conscious and unconscious is most useful (and hence most balanced, as the T-Square and crux ansata also indicate via the symbol of the crossbar) at the interface between space/time and time/space. It also suggests that the connection between the conscious mind and the unconscious is an act of bringing the conscious mind out of space/time and into time/space more frequently and bringing the unconscious mind out of time/space and into space/time more frequently.[/font]
[font=Verdana]In short, the symbol on the chest of the figure in the Great Way card suggests to us that the Magician who finds himself occupied with space/time must turn his focus more and more to time/space; whereas the High Priestess who is all too often lost in the hidden dimensions of time/space (the shady realm of dreams) must be coaxed out of her hiding so that she may be seen more and more in space/time.[/font]
[font=Verdana]It also seems important to mention that her pillars depict the presence within the unconscious mind of pockets of both negativity and positivity – all of which the Magician must be open to viewing.[/font]