03-16-2012, 07:22 PM
(This post was last modified: 08-17-2012, 06:55 PM by JustLikeYou.)
The Chariot
The Path chosen in the Transformation card clearly affects the environment witnessed in the Great Way card. Recall that catalyst is birthed in the illusion by the High Priestess and witnessed as the Empress. The victor, the conscious mind, rides the chariot, but everything he sees along the way is what the unconscious mind has intentionally revealed to him – by his request, of course, as the magical orb in his hand signifies. While the chariot itself is moved forward by the two sphinxes, remember that no advancement can happen until the conscious mind has chosen how it will approach the unconscious mind. Thus, the resting limbs of the sphinxes suggest that there are periods of stagnation where one is in conflict about which path to take.
Let us consider the symbol upon his chest. There is a question Ra asks which deserves a closer look (103.12 ):
[A]lthough the chariot is wheeled, it is not harnessed to that which draws it by a physical or visible harness. What then, O Student, links and harnesses the chariot’s power of movement to the chariot?
The answer is actually given by Ra in 99.7:
“The Significator owns a covenant with the spirit which it shall in some cases manifest through the thought and action of the adept. If there is protection in a promise, then you have chosen the correct sound vibration, for the outstretched wings of spirit, high above manifestation, yet draw the caged mind onward.”
Ra says in no uncertain terms that the outstretched wings of spirit are what draw the caged mind onward, but how does a covenant fit into this? The potentiated will is the magical gesture of the mind (depicted by the orb or the wand), but the magic cannot take effect unless the illusion itself conforms to the will. The close affinity between the unconscious mind and the spirit (as depicted by the Ankh on the High Priestess’ chest) suggest that this is where the covenant has occurred. The spirit has promised to bring the mind exactly what it calls for, and the mind must learn to trust the wings of the spirit on this one.
We now have a story to describe the path of this card: the Significator of the mind, by using the gears of Archetypes 1-4, lifts the veil to discover that the environment moves and shifts according to its own projections. In so lifting the veil, it discovers that periods of rest and progress take the appearance of the mind either hesitating in a choice between the Two Paths or committing to a path and letting go of the other.
Another significant Ra quotation deserves analysis (103.14 ):
“Time/space is close in this concept complex, brought close due to the veiling process and its efficaciousness in producing actors who wish to use the resources of the mind in order to evolve.”
The symbol on his chest, recall, is the meeting of two right angles above a T-square. The T-square implies that value is only found in the process of sacrificing something. The two right angles signify the proximity of space/time to time/space. The proximity of all three to each other therefore signify, as Ra states, that the act of finding value through sacrifice brings your experience in space/time in close proximity to your experience in time/space. Value, of course, is what drives you to do what you do (“because it is worth doing”), so if you value something, it is because it matters to you. Ra comments that it was difficult to produce a feeling that polarizing mattered in 3-D without the veiling process, so the primary purpose of the veil is to bring entities to care about evolving. Somehow, the act of polarizing enough that you are willing to sacrifice one path for the sake of taking another brings space/time close to time/space. While I don’t understand the concepts of space/time and time/space as well as I’d like to, the implication I get is that the one is the realm where the physical illusion exists and the other is the realm where the great metaphysical illusion exists. These realms seem to properly be the realms of body and spirit. Thus, the mind would connect these two realms. So if the mind, in polarizing, places value on evolving, perhaps the proximity of space/time to time/space suggests that in the process of polarizing the mind (which is to be thought of as a tree, as Ra so often reminds us), is achieves a more and more perfect balance between its communication with both body (space/time) and spirit (time/space).
One more quotation (103.11 ):
“The entire mood, shall we say, of the Great Way is indeed dependent upon its notable difference from the Significator. The Significator is the significant self, to a great extent but not entirely influenced by the lowering of the veil.”
Ra points out, as quoted above, that the “mood” of the Great Way is dependent upon its difference from the Significator. In looking at the cards, we can see many, many similarities – so the differences should be easy to count:
1. The structure now has wheels.
2. The structure how has 3 dimensions.
3. The two figures are now sphinxes which seem to pull the chariot.
4. The winged sphere is not above the figure, but at his knees.
5. There is a veil which is raised.
6. The symbol on his chest.
So assuming we change the content of the figure’s hands according to Ra’s suggestion, those are the differences.
1, 2 and 5 all seem to point toward the naïveté of the Significator: perhaps it does not realize that the structure it stands upon is actually a vehicle drawn by its own act of knowing itself because the veil is lowered and the illusion of separation is commenced.
3 is intriguing to me because the Significant self is made into a Creator in its own right by the none other than the veil itself. So the Significator’s ignorance, its naïveté is precisely what makes this Significant self divine in the purest sense. These two polarized figures respond to the Significator’s command with service and praise, an act reserved for the Creator; whereas, the polarized sphinxes in the Great Way respond to the central figures command as a matter of the mechanics of mind. In other words, the polarized figures in the Significator card display direct and self-aware servitude with no particular purpose, but the polarized sphinxes in the Great Way card seem interested in servitude for a cause: they are headed somewhere.
4 suggests to me that the Significator has no idea how powerful it is, despite the service of both polarities. The great flight of the spirit, signified by the sphere with wings, is outside the manifestation in both drawings, but in the Great Way the wings are affixed to the illusion as if the power of moving forward upon this path lies in the hand of the mind which now has vision in a way that the Significator did not.
The Path chosen in the Transformation card clearly affects the environment witnessed in the Great Way card. Recall that catalyst is birthed in the illusion by the High Priestess and witnessed as the Empress. The victor, the conscious mind, rides the chariot, but everything he sees along the way is what the unconscious mind has intentionally revealed to him – by his request, of course, as the magical orb in his hand signifies. While the chariot itself is moved forward by the two sphinxes, remember that no advancement can happen until the conscious mind has chosen how it will approach the unconscious mind. Thus, the resting limbs of the sphinxes suggest that there are periods of stagnation where one is in conflict about which path to take.
Let us consider the symbol upon his chest. There is a question Ra asks which deserves a closer look (103.12 ):
[A]lthough the chariot is wheeled, it is not harnessed to that which draws it by a physical or visible harness. What then, O Student, links and harnesses the chariot’s power of movement to the chariot?
The answer is actually given by Ra in 99.7:
“The Significator owns a covenant with the spirit which it shall in some cases manifest through the thought and action of the adept. If there is protection in a promise, then you have chosen the correct sound vibration, for the outstretched wings of spirit, high above manifestation, yet draw the caged mind onward.”
Ra says in no uncertain terms that the outstretched wings of spirit are what draw the caged mind onward, but how does a covenant fit into this? The potentiated will is the magical gesture of the mind (depicted by the orb or the wand), but the magic cannot take effect unless the illusion itself conforms to the will. The close affinity between the unconscious mind and the spirit (as depicted by the Ankh on the High Priestess’ chest) suggest that this is where the covenant has occurred. The spirit has promised to bring the mind exactly what it calls for, and the mind must learn to trust the wings of the spirit on this one.
We now have a story to describe the path of this card: the Significator of the mind, by using the gears of Archetypes 1-4, lifts the veil to discover that the environment moves and shifts according to its own projections. In so lifting the veil, it discovers that periods of rest and progress take the appearance of the mind either hesitating in a choice between the Two Paths or committing to a path and letting go of the other.
Another significant Ra quotation deserves analysis (103.14 ):
“Time/space is close in this concept complex, brought close due to the veiling process and its efficaciousness in producing actors who wish to use the resources of the mind in order to evolve.”
The symbol on his chest, recall, is the meeting of two right angles above a T-square. The T-square implies that value is only found in the process of sacrificing something. The two right angles signify the proximity of space/time to time/space. The proximity of all three to each other therefore signify, as Ra states, that the act of finding value through sacrifice brings your experience in space/time in close proximity to your experience in time/space. Value, of course, is what drives you to do what you do (“because it is worth doing”), so if you value something, it is because it matters to you. Ra comments that it was difficult to produce a feeling that polarizing mattered in 3-D without the veiling process, so the primary purpose of the veil is to bring entities to care about evolving. Somehow, the act of polarizing enough that you are willing to sacrifice one path for the sake of taking another brings space/time close to time/space. While I don’t understand the concepts of space/time and time/space as well as I’d like to, the implication I get is that the one is the realm where the physical illusion exists and the other is the realm where the great metaphysical illusion exists. These realms seem to properly be the realms of body and spirit. Thus, the mind would connect these two realms. So if the mind, in polarizing, places value on evolving, perhaps the proximity of space/time to time/space suggests that in the process of polarizing the mind (which is to be thought of as a tree, as Ra so often reminds us), is achieves a more and more perfect balance between its communication with both body (space/time) and spirit (time/space).
One more quotation (103.11 ):
“The entire mood, shall we say, of the Great Way is indeed dependent upon its notable difference from the Significator. The Significator is the significant self, to a great extent but not entirely influenced by the lowering of the veil.”
Ra points out, as quoted above, that the “mood” of the Great Way is dependent upon its difference from the Significator. In looking at the cards, we can see many, many similarities – so the differences should be easy to count:
1. The structure now has wheels.
2. The structure how has 3 dimensions.
3. The two figures are now sphinxes which seem to pull the chariot.
4. The winged sphere is not above the figure, but at his knees.
5. There is a veil which is raised.
6. The symbol on his chest.
So assuming we change the content of the figure’s hands according to Ra’s suggestion, those are the differences.
1, 2 and 5 all seem to point toward the naïveté of the Significator: perhaps it does not realize that the structure it stands upon is actually a vehicle drawn by its own act of knowing itself because the veil is lowered and the illusion of separation is commenced.
3 is intriguing to me because the Significant self is made into a Creator in its own right by the none other than the veil itself. So the Significator’s ignorance, its naïveté is precisely what makes this Significant self divine in the purest sense. These two polarized figures respond to the Significator’s command with service and praise, an act reserved for the Creator; whereas, the polarized sphinxes in the Great Way respond to the central figures command as a matter of the mechanics of mind. In other words, the polarized figures in the Significator card display direct and self-aware servitude with no particular purpose, but the polarized sphinxes in the Great Way card seem interested in servitude for a cause: they are headed somewhere.
4 suggests to me that the Significator has no idea how powerful it is, despite the service of both polarities. The great flight of the spirit, signified by the sphere with wings, is outside the manifestation in both drawings, but in the Great Way the wings are affixed to the illusion as if the power of moving forward upon this path lies in the hand of the mind which now has vision in a way that the Significator did not.